Thursday, October 25, 2007

Tour de Solon: A Top Five


Solon, the Athenian statesman


Solon, Ohio

Solon poses a threat to those who refuse the initiative necessary for creating a well-rounded individual with social awareness. Stay south of Miles Road and one may never meet a Hispanic or Latino in more than a casual exchange. One may find neither a homeless person nor an arts center backed by community support. For those too strictly confined to Solon’s borders, the result is homogeny.

This week’s top five pays tribute to the keystones of culture in Solon, Ohio. Pronounced “So-lin,” this predominately white suburb of Cleveland boasts Northeast Ohio’s best school district. Solon is home to a category of people who believe themselves to be superior in their imagination, yet flat in reality; they exude liberal attitudes and conservative, golf-course dwelling lifestyles—save the excitement for the next family vacation to Europe.

In daily life, the teens of Solon often feel disconnected from the enticing clubs and shops found in cities. They have nonetheless adapted and burrowed themselves in what Solon has to offer, forming their own version of elite. The following cultural mainstays represent the teen culture and general flow of life of Solon, Ohio.


The "Uniform"

Though not a private school, the Solon High School student body dictates its own dress code: a Northface brand fleece jacket, Birkenstock clogs, or Ugg boots. The “dress code” is not unique to Solon High School, but it genuinely belongs to the current teenage culture, specifically those teens living in suburbs or outside of big cities. The lack of small, eclectic boutiques in Solon nearly eliminates the resources necessary to devise a refined style. Many girls fall back on the mass market: what everyone else wears and has been wearing for years.

Girls nowadays hold a certain fondness for practical and plain, unstructured apparel and accessories. In fact, the allure of such a wardrobe derives from the unspoken but well-known monetary value of the items. Sure, Birkenstocks belong to the hippie culture, but the modern wearer demands recognition for the fact that he or she paid approximately $100 for shoes. Such a person must enjoy a leisurely lifestyle and therefore earns the envy of his or her peers.

Oversized totes from Hollister and Abercrombie surpassed many other fads last year. The bags, large enough for a small dog or child, dominated the small girls seen carrying them. Once again, the big bag epidemic was inspired by label envy and practicality. Solon’s idea of “fashion” is defined as an outlet for jealousy and ostentatiousness instead of individuality and creativity.
AP Teachers

“Hi everyone. I’m Ms. Grondolsky, and I’ll be teaching you English Lit this year. A little bit about me: I live in Lakewood. People often ask why I don’t live in Solon, and I think Solon is a great town, but there’s no way I’d want to live around my students. I graduated from Miami of Ohio, which was, well…I know many of you will end up going there. Not that you won’t love it, but I didn’t.”

The audacity of teacher Jessica Grondolsky drew attention, fear, and concerned glances from her senior AP students on the first day of the 2006-2007 school year. Yet by the end of the year, her class of twelve students felt a strong bond with the young teacher.

Solon’s obsession with high Ohio Graduation Test scores has degraded some of the most talented students to remedial tasks. The tests shift focus from the joy of learning to the joy of receiving statewide acclaim. It has also greatly constricted individual teachers’ influence on shaping the curriculum. Therefore, while students searching for academic integrity in SHS find themselves short-changed, the teachers fill an educational void.

Without a doubt, Solon High School’s faculty teaching AP curriculum become central to their students lives as less authoritarian and more friendly, liberal figures. In contrast to the CP teachers or guidance counselors, staff members intent on administering discipline, the AP teachers at Solon provide intellectual solace. Each teacher’s distinct quirks make class not only informative but also enjoyable. Ron Fabo, Physics teacher, participates in a YMCA dodgeball league, while Paul Milcetich successfully plays the role of notoriously good-looking European History teacher. AP French teacher Davara Potel goes to bed at 8 PM and awakes at 4 AM every day. Such instructors consistently lead their students to high test scores while embracing individuality, not statewide statistics.

Applebee's Neighborhood Grill and Bar

Applebees has monopolized Solon’s teenage audience due to one defining feature: it is the only joint in town open late. Unfortunately, the euphoric days of half-priced appetizers after 9 PM came to an abrupt end in September of 2006, when the restaurant repealed its specialty due to mobs of rowdy teens flooding the restaurant on weekend nights. Nonetheless, high schoolers continue to claim Applebees as their turf.

Food choices range from classically greasy American favorites (why are they favorites, anyways?) to specialties from Tyler Florence to dishes designed for waistline-watching Weight Watchers clientele. When craving something sweet, the crunchy, cinnamon shell and warm, creamy filling of the Apple Chimicheesecake meld together into satisfaction. The crisp texture of the Oriental Chicken Rollup fills hungry mouths with pleasure. On the other hand, the Spinach and Artichoke cries for fresher ingredients and, especially on busy nights, cold fries are a guarantee. The food does satisfy general teenage tastes, but the times of operation bring students back for more.

The Applebees staff is usually kind and caters well to large groups of teens. Though the waiters and waitresses rarely protest a request for separate checks, customers may pay for a long waiting time between ordering and eating in return. On a more personal level, waiters such as the famous Billy seem to integrate into the Solon social network. Billy, an erotic 20-something, guarantees an entertaining dining experience with his high-pitched voice and clearly homosexual tendencies. Though he behaves properly when serving families, he becomes vibrant when serving younger adults. Jokes about Billy echo in the Solon High School hallways, reverberating Applebees’ centrality to the Solon teen culture.

The interior is worn, both intentionally and unintentionally. Walls plastered with movie and music memorabilia evoke the comforting atmosphere family-type restaurant. Stained glass lamps, with dull colors and trite floral designs, hang inordinately low from the ceiling—many customers have come face to face with such lamps in unfortunate incidents. Furthermore, the grayish casting on the emerald green carpeting leaves no doubt as to how often the aisles have been treaded. No matter, though; Applebees pulls this aesthetic off. Families come to eat a mediocre meal and teens come to banter. They are not expecting the Taj Mahal or anticipating Wolfgang Puck’s cuisine.

Applebees epitomizes the population of Solon residents who constrain themselves to standard American food and highly bureaucratic, industrialized restaurant chains. Not exactly the most adventurous crowd, these people prefer the known to the unknown, reflecting their conservative tendencies. However, in a town barren of ethnic restaurants (save for a standardized, expensive Sushi bar), those with complex palettes will have to burn some gas to experience gastronomic pleasure. Though Applebees pleases late-night teens clawing for a social hub, an independent, innovative restaurant would stimulate those trying to evade the “Solon bubble.”



Senior Shirts






SHS students start cramming before the school year begins. Senior girls begin to stress during the last week of summer, painstakingly puffy-painting inside jokes onto cotton t-shirts by the first day of school. The jokes accompany a large “S”, the graduating year, and their names. A long-time, entirely feminine tradition with unknown roots, the “Senior shirt” is a piece of art worn on the first and last days of school, on football-game Fridays, and on other special occasions like Homecoming.

Senior shirts are anything but practical or washable, thanks to mounds of glitter. It actually becomes more of a senior shell once the puffy paint hardens. But truly the production of the senior shirt serves as a time of reflection for the artist. Groups of friends create similar-looking shirts, using the same color schemes or rhinestones, as portrayed in the photos. Therefore, the friends with whom one coordinates represent the epitome of one’s social circle. On the other hand, the risk of losing friends still exists, and some senior girls find themselves matching the t-shirt of their enemy by the end of the year. While the shirt tradition has proved to be long lasting, high school friendships are anything but.

One’s perspective of the senior shirt tradition parallels her attitude towards the SHS student body as an amalgamous whole. The girls who arrive an hour early to football games wearing their boyfriends jerseys typically begin documenting memories during freshman year. They fervently embark on their first “right of passage” as a senior once summer break begins. On the other hand, the females emphasizing academics will contemplate the value of such a tradition, and then either decide to veer away from the norm or piece together a semblance of a senior shirt in the last two days before school. Not only is it a question of school spirit, but a symbol that leads one to wonder: what privileges are seniors entitled to, and what privileges do they create for themselves?
The newly renovated Solon High School auditorium

A miracle struck Solon last year when renovation of the SHS auditorium began. For once in its history, the Board of Education actually invested money in the arts instead of the football team or other sports programming. Audiences fill the auditorium to watch quality productions by the drama club. Unfortunately, they are distracted by the theatre’s hideous interior design.

Designed by the SHS drama club director, the theatre is fully equipped with an electric fly system and state-of-the-art lighting technology, but the aesthetic appeal falls far from pleasing. Ditching the traditional blue and gold school colors, a scheme of brown with blue accents lacks classy execution and beauty. The vast ceiling is painted a shade of mahogany that has inspired superfluous toilet jokes. Worst yet, the bright blue seats are upholstered with a nappy, corduroy-like material. In a calamitous orchestration, the color hues clash while the chairs scream of abuse after only a few usages.

Though given an opportunity to shine, the new auditorium disappoints the entire community. Students now take the liberty of being critical and openly disparaging the big box’s design, a serious hit to those who view the theatre as a place of reverence for the fine arts. Especially for those who lack genuine interest in the spectacle on stage, the atrocious interior design could easily win a spectator’s attention, rendering the auditorium renovation a downfall for all but the running crew.

Photos from http://www.vroma.org/~abarker/solonimg.jpeg, solonschools.org, http://www.intermountaintraders.com/layout/pink-north-face-denali.jpg and http://www.alexslemonade.org/images/ApplebeesNeonLogo.gif, respectively. Senior shirt photos courtesy of Katie Littman, Lauren Jaffe, Michele Bentley, and Ali Bloom.

Thursday, October 11, 2007



No single element commands attention, but four subjects split the main focus. An abundance of objects and people contribute to an aura of exciting chaos. The photograph lacks perfect and equal symmetry of color; brilliant white and shades of Caucasian skin pervade the right side while the navy robe on the left creates a smaller negative space. Crisp colors and lines cast a jovial, light-hearted tone onto the scene. The quality, clarity, and colors of the photo indicate that it was taken recently. Without shadows or a source of light, it is difficult to determine the season or time of day of the occasion.

Bustling with a flurry of activity, the background is saturated by young people attending their graduation. A candy-apple SUV occupies a spot on the left in the background—is it cruising by, or parked? Affluent people must reside in this area, a seemingly metropolitan neighborhood.

The photographer, standing directly in front, cut off the tops of the heads of the two taller subjects. It is likely that he tried to take the picture from a greater distance, but the scene was too densely populated. In the foreground, three females huddle together while the male stands towards the outside, curling his fingers around the right shoulder of the girl in front of him. The teens clearly took time to arrange themselves so that each could be seen.

A striped tie peers out from underneath the boy’s navy garment, suggesting that he views his graduation as dignified and momentous. The midnight blue and pea-green shades of his tie differ slightly from the navy and mint of his robe and shirt. His earlobes protrude from under his shaggy mop of hair (his mother probably wishes he’d gotten a haircut for the occasion). The girls, however, appear to have invested time in blow-drying their hair and applying eyeliner and eyeshadow.

Intending to create a comical pose, all four teens open their mouths, though the other aspects of their facial expressions vary. Their gestures look calculated, their faces contrived. Except for the girl on the left, the subjects gaze purposely into the lens of the camera.

“I can’t believe he would say that” girl’s head occupies the center of the photo. Her chestnut hair covers three-quarters of her forehead and her left eyebrow. She holds a rose, a flower popular in the Northern hemisphere; a trademark of beauty as commonly used as Kleenex, but more expensive and prestigious. It pops and against a gleaming sea of white.

She comically cocks her mouth to the left, deviating from the rounder mouths of her friends. The boy’s mouth is nearest to being perfectly circular; he looks as though he forgot about a school assignment or important test. Meanwhile the girl on the top right positions her mouth in a more ovular shape that nearly mirrors the shape of the threshold of the building behind her. This girl, “I haven’t seen you in forever!” girl, involves her hand in her comical gesture, unknowingly creating juxtaposition. Her hand seems to germinate from the head in front of it.

“Mischievous rumor” girl flashes her entire row of top teeth. Their consistent alignment indicates the value she, her parents, and her culture place on perfection in beauty. The edges of her teeth parallel her white-tipped, manicured nails. Her bonnie-brown hair curls softly and loosely against her left shoulder, framing her pale but brilliant face and directing the eye downward to a lavender ribbon. What does it stand for?

The congruency among the teens’ expressions suggests their camaraderie. After all, this ceremony is the culmination of some quantity of time spent together, though that quantity is undisclosed by the photo.

Tuesday, October 2, 2007

Tip-Top Ten

Grey's Anatomy
Season 4 Premier


Producers, screenwriters and directors of Grey's Anatomy clearly 
felt some heat from the anticipation of the fourth season premier. At this point in the series, the old cast of interns are now residents in charge of educating more interns, forcing the familiar cast to create rough facades for their characters. While trying to balance this new duty with their emotionally challenged undersides, the mature disposition appears extremely contrived. Character's temperaments were either too hot or too cold. Izzie's decision to devote time to resuscitating a deer wasted her interns' and audience's time. Lexie Grey's character, fluffier than a marshmallow, relies on a constant deer-in-the-headlights look in her eyes, detracting from any poignant reveations she might have made. Only Sandra Oh distinguishes herself from the rest of the cast in her ability to carry a dynamic character.

This episode continued the Grey's Anatomy tradition of featuring strange, fantastic medical challenges for the doctors to correct. However, a cute child requiring sympathy accompanied every case to rush into the hospital, exhausting the pathos card. The trademark floaty, emo music served as an almost distracting addition to the final scenes of the episode.


Yahoo! TV
Accessed on Octoer 2, 2007


Paris, Je T'aime

There are more than 18 reasons to love Paris,
Je T'aime, a movie comprised of 18 vignettes (one for each arrondissement of Paris) from an array of talented directors. An $8 ticket stub doesn’t seem so stiff when realizing that proceeds don’t contribute to mass marketing or contrived plots. The movie constantly challenges the theme of love, so often diluted by the cinema and advertised as a condition only between certain types of people without problems.

Scenes range from love between mimes to unreciprocated gay love to a teenage boy learning to properly court women. In "Tuileries," an American tourist glances at a girl across the metro tracks and receives a battering from her boyfriend in return. The situation calls for sympathy, but when the tourist realizes the girl has an STD, and the boyfriend scatters souvenir postcards on his victim, guilty laughter emerges. After a jolting 2-hour-long ride through the city of lights, the final vignette reinforces that love need not be returned by another individual to be cherished.

Not only is this movie innovative in concept, but the relaxing phonetic
characteristics of the French language highlight Paris’ romantic allure.

Whether it be confusion, shock,sorrow, or laughter, the peculiar emotions evoked from the culmination of each scene reflect the many facets of love. Overall, the movie excels in stirring up the contrasting emotions involved in racial, generational,cultural and linguistic buriers and love.



A welcome deviant from ABC's fall lineup of raunchy and shallow shows,
Pushing Daisies allures to the primetime TV audience with surreal and
bright scenery, though the quirk of the main character--turning people from dead to alive to dead again--follows the medical drama trend, only
in a less critical and serious manner. This fanciful premise presents a
more playful plot than the sadly realistic story lines of Desperate Housewives and Dirty, Sexy Money, for example. While the trailer tantalizes the viewer with colorful imagery, the question remains if the writing will follow through with a parallel tone.


Newsday.com



"The Bean"

How does a remarkably simple blob of silver earn the fascination of
tourists and the designation of a nouveau Chicago landmark? While it lacks
the technological touch, it is nevertheless a ersonal and interactive experience.

Once the explosive size of "The Bean" is acknowledged, the reflective
property must be dwelled on. It shows the visitor collaged against the fantastic Chicago skyline, though this
tourist may be more mentally and emotionally removed from it than Britney Spears from her kids.

The bean makes hours of exploration possible, though it relies entirely on its visitors for its success. Moving and meandering to stretch and skew one's body, the
distorted figures provide amusement even when Chicago winds render faces raw.



A Year In The Merde
Stephen Clarke

Approximately half of this novel is spent in the merde (that is, by the way, a more vulgar term for "poo" in French) of character Paul West's romantic life. While West's portrayal of the French is humorous, witty, and at times downright irreverent, his objectification of women is somewhat offputting. What audience is expected to read this book? Author Stephen Clarke may have qualified for a passport to visit France, but his extensive female putdowns are unauthorized.


Tension among coworkers, especially the conflicts created by linguistic misunderstandings, and analyses of the French lifestyle raise eyebrows and cause smirks. Unfortunately, West's keen eye renders the reader ready for any scenario to arise, therefore causing the book to rely on ephemeral moments of humor and insightfulness. His overall pessimism causes a disparity in perspective and reality, eventually leading to a monotonous mound of merde. Perhaps Clarke's sequels will persevere.

Wikipedia
http://upload.wikimedia.org/wikipedia/en/thumb/3/34/Merde_.jpg/200px-Merde_.jpg
Accessed on October 2, 2007


Pita Pete's Healthy Eats

An Evanston restaurant serving healthy, hearty meals with a sense of humor. Equate it with a calorie-reduced version of Chipotle. The expansive selection of of fillings, from Chicken Gyro to Philly Cheese Steak to Falafel, offer something to please even the pickiest eaters, and homemade pitas and hummus uphold their devotion to fresh, healthy fare. A variety of fillings feed in to the "have it your way" fast food fad (which is certainly one of the better fads out there). Reasonably priced and and served efficiently, Pita Pete's has the quality to
persist among the many gastronomic choices in Evanston.

Hairspray

A majority of modern musical movies identify as a cheesy, weak attempts
to bring
theatre mainstream. Ironically, Hairspray's slapstick comedy, outrageous wigs and flamboyant choreography unite to produce what will be aired on TV for years and years to come, succeeding in becoming a musical classic.


The corny nature of the film induces laughter while dealing with the touchy subject of racial bias in the 1960's. Audiences composed of both
blacks and whites laugh at comments that could stir racial tension,
uniting a theatre of unsuspecting viewers.

Harvey Fierstein's original interpretation of Edna Turnblad would have boosted the film's appeal to hardcore theatre followers. Casting newcomer Nikki Blonsky as lead girl Tracy Turnblad proved to be a strong choice. Her energy shines through and her voice incorporates character, but not to a bothersome extent. Zac Effron's vocal skills and charming persona personify Link Larkin spot-on, but the name appeal
of Amanda Bynes fails to recover for her poor singing. On the other
hand, the producers of the movie didn't attempt to turn Bynes into a virtuoso, which would have been more unbelievable than Travolta's fat suit.


The real clincher: though Hairspray carries a PG rating, those looking for more mature
innuendo will find it hidden in the screenplay.

From Under The Cork Tree
Fall Out Boy


For being categorized under the
"Alternative Rock" genre, Fall Out Boy falls short of some musical
enthusiasts/snobs.
However, the long song titles and catchy rhythms appeal to a broader audience.


Completely random (and usually incomprehensible)
lyrics present a detached listener-singer relationship. Though the
listener can't personally relate to any of the lyrics, it makes for
thought-free listening pleasure. Lead singer Patrick Stump's voice is
neither too nasal nor
too gritty, and simple harmonies mix up the
repetitive choruses.


Speaking of repetitive, due to their exhausted radio play, "Dance, Dance" and "Sugar, We're Goin' Down" represent the bottom rung of the Cork Tree ladder. Save for these two overplayed songs, this is the kind
of album to play straight through without skipping around. Fall Out Boy's songs are consistent in style, but not to the point of monotony.



"100 Homicides cry out for protests"
Regina Brett
The Cleveland Plain Dealer
Sept. 28 2007

Regina Brett's column in the PD's Metro section retains the explicit
style of the News section, but simply forms it around one subjective
element. Contrasting the overwhelming support of Clevelanders in the
Jena Six controversy versus the brittle backup for black homicides in
their hometown, Brett fails to crumble a strong racial divider. She
encourages the Cleveland community as a whole to stop homicide, but
really aims to focus on the African-American community. The problem is that her
article is written from the withdrawn standpoint of a white woman,
positioning her as an outsider. Brett elucidates the desensitized
feelings towards of death, but it is still evident that, for black
Clevelanders, raging attitudes towards racial injustice and inequality
prevail.

This article can be found at http://www.cleveland.com/plaindealer/stories/index.ssf?/base/opinion-0/1190971799108200.xml&coll=2




"I just don't want to end up like Katie Couric.
I want people to take me seriously."
Rachel Smith, Miss USA, on her journalistic aspirations.
Couric's spokesman said that if Smith "continues to offer such profound insight, she will not have to worry about anyone taking her seriously."
Time Magazine, October 8, 2007


Though Miss South Carolina completely butchered her response as to why American children can't locate the United States on a map, Rachel Smith made her remark outside of the intense pageant atmosphere, contributing to the dumb-pageant-girl stigma. Her position as such hardlygives her authority to judge the career of someone outside of her field.


The word "seriously" misinterprets the reason for Couric's slightly disappointing performance as an evening news correspondent. As if her remark wasn't already diluted and uninformed, criticizing a leading figure for feminist frontiers in the media won't earn Smith any fans or advantages.